First Artist Demo

Yesterday was my first ever artist demo at The Fernie Arts Station. Being a beautiful Saturday afternoon I was not surprised that the audience was small, but that was probably a good thing as I wasn’t nervous and they were nice with no heckling!  I was surprised how quickly the 2 hours went by, initially thinking I would wrap it up early, but did not.

What worked well:
I did the demo in a similar fashion to the baking shows.  I had 3 canvases of the same size. One was just a gessoed and toned ‘blank’, the second had a completed under painting and the third was the fully finished version.

I started with my blank toned canvas and described how I prepped the canvas. Then I showed my sketchbook and talked about my drawings and studies for prepping and planning
I began the drawing on the canvas with diluted oils and got half way done, then asked if they had enough and wanted me to move on to painting.  UNANIMOUS yes.

  Hmmm... it was a good time to throw in a joke - why did Van Gogh become a painter? Because He didn’t have an ear for music. GROANS. Moving on.

Started the darks and shadows first with thinned oil paint.  Then mixed up sky colour, then lightest grass colour and covered the largest areas first. Then tackled the house and soon enough time was up.There were of course questions throughout which I hope I answered without babbling too much.  I think I would sometimes go off on tangents but hope they got their questions answered.  I showed the completed version earlier on in response to a question.

I think I would be good to go if I ever had to do another demo someday.  The pre-planned and finished painting steps worked well for me, as there were no surprises.  I do like to plan ahead!

All in all a positive experience for me, hope it was okay for the audience.  It would be worthwhile having someone video the talk so I could cringe and watch it all later to see what was working best. Many thanks to Jackie at the Arts Station and the women that attended!

Fernie Arts Station
 
Photo courtesy of Jackie from the Arts Station

Biking and blogging

Summer usually means a slow down in my art creation. I am off work and more time is spent ‘Momming’, visiting, gardening and holidaying.  This summer I have been able to do a lot more mountain biking, now that I am in actual mountains every day.  It’s been great for the cardio and the soul.  So of course that has led me to my recent bike painting theme.  Occasionally I will get on a tangent and paint several paintings on one idea ( see cheeky prime ministers https://tessastanley.blogspot.com/2017/04/oil-and-acrylic-dont-mix-you-hoser.html ) I know that many artist spend months or years on a theme, painting just trains or flowers or abstract fruits.  I find I need to switch fairly regularly to maintain my interest.  

 So this is a view from one of the bike trails last week. Fabulous! Below  are some of my bike paintings and progress paintings.

Plein Air Convention and Expo PACE19 overview

I returned 2 days ago from a 5 day trip to San Francisco, CA, where I attended the 2019 Plein Air Convention and Expo #pace19  This post is a review and highlights for me from the trip, in case you decide to attend one (next year it is in Boulder, Colorado), which I highly recommend doing.  I kept a journal while attending and it is almost half filled with notes, tips and sketches.  Below I have a summary of Days 1 and 2.  Will do Days 3 to 5 in my next post.

Best Things
1.  AWESOME ARTISTS providing instruction and demos from early in the morning until late evening.  As an oil painter I attended the relevant oil painting demos, but there were also pastel and watercolour painters here.
2.  MARKETING BOOTCAMPS - Eric Rhoads  provided an early morning Art Marketing instruction with a ton of tips and info.  Very worthwhile for me as an 'emerging artist'.
3.  PLEIN AIR PAINT OUTS - great opportunity to paint urban and landscape around San Francisco and in Sonoma.
4.  Expo / Vendor Hall - excellent opportunity to purchase great artist supplies.  I bought panels, brushes, containers, paint and a Shelby Keefe video at discounted prices.
5.  PRIZES - lots of giveaways.
6. PEOPLE -Plein air painters are a nice bunch of people and it was amazing how when you get chatting you find you have a lot in common with others.

CHALLENGES - finding time to eat and sleep.

Detailed Info

Day 1- Wed, April 24th - Left Edmonton, AB at 4:15 am - Arrived at the hotel at 1 pm and headed off to the Expo hall for a demo by
Kathleen Hudson at 2 pm. She had a beautiful demo, several good tips  TOP TIP: uses small hand mirror to check her painting, to ensure values are all reading properly.

3pm  Newcomers Orientation - helpful

4 pm - Opening Ceremony - high energy - every day of the conference there were awesome prizes, such as paints, brushes, a PACE trip, videos, etc. and at least 6 or more people got a prize daily.  Although I never won anything, our registration package had some cool free stuff and often when you bought something in the Expo hall at the vendor booths they had a freebie included or had reduced prices.

7pm - 5 Artists one Painting - this one was fun to watch as Shelby Keefe, Paul Kratter, Larry Moore, Charlie Hunter  and Cynthia Rosen had roughly 20 mins to take a turn working on one painting.  Lots of cheeky dialogue amongst the artists and the challenge involved in not painting entirely over the previous artist's work.

Exhausted - Sleep

Day 2

6:30 am Eric Rhoads - Art Marketing Boot Camp - wow! Lots of helpful tips crammed into 1 hr, 15 mins. Top tip - Persistence 20% of work week is marketing

Excellent info for me as an 'emerging artist' to make sure I get on top of my social marketing now if I want to grow my 'art business'. 4 PAGES scribbled down in this time.

-  Michael Situ Demo - Highlighted always thinking about contrasts to add interest and balance the painting - Light and Dark, Warm and Cool areas.  Loved his colour use.

Kathleen Dunphy - I ran off to catch the end of Kathleen Dunphy's presentation as it was running concurrently to M. Situ's.  Top Tip: sometimes you have a Focal Path leading you around the painting and not just a single focal point and ALWAYS draw!

Brian Blood - did a San Francisco street scene, appropriately dressed in his hippy tie dye t-shirt.  I had one of his videos previously, so I really enjoy his use of light and colour.  Top Tip - gather info in your Plein air painting focusing on tone and value and being conscious of moments and changes that provide interest.

Randall Sexton - 

Car Portrait - he starts with big shapes blocked in vs drawing, cool to watch.

Plein Air Painting - took the bus to Chrissy Field below the Golden Gate Bridge.  Rude introduction to our Plein Air as it was cold and windy.  I should have worn another layer and had gloves.  Also I should have had my easel properly situated and weighted down as it blew over and I lost all my brush cleaner, which landed on my painting.  Learning many lessons!  Packed up and sketched instead, which I enjoyed too.

Scott W Prior - Urban night scene - Scott completed a painting that he had already started, showing us how he added the details to finish off a rainy, night urban scene of a street car.  Cool! Sorry the picture is very poor, check out his website instead.

Finished!

I had entered this into the Federation of Canadian Artists Postcard Competition a couple of weeks ago.  Was pleased to know that it was juried into the final judging - final winners are going to be chosen May 1st. Crossing fingers.

36x18" oil on canvas
Spring Thaw

Finally, I have completed my painting of Fernie, BC main street.  This has taken a lot of time and effort, but I am fairly pleased with the result.  It will be one of the pieces in my solo show at the Fernie Arts Station in July 2019.  Check it out in person then.

The Upside of Painting

My most recent effort is a largish painting of my favourite town, Fernie BC.  After some repeated attempts to paint in a more loose, impressionist fashion and having little success, I decided to try something challenging on the opposite end of the scale.  I have been plugging away at this for over a week now.  I was finding it difficult to paint the detail in the close up store windows, so I used the old trick of turning my picture and painting upside down so that I would just see shapes and paint what I saw not what I thought I was seeing. The upside of upside down painting is that it really helps!