Impressionist style painting

In my quest to find my painting 'style' I am trying to make this most recent painting more impressionist in style.  It is NOT COMPLETED YET and I am still working on the foreground and sky area.  I chose a lighter palette and trying to do more brushy strokes of paint.  I find I am needing feedback and will try to get a critique from the FCA (Federation of Canadian Artists), of which I am a member, and who provide a monthly critique session.

On the weekend my spouse and I had a nice afternoon checking out galleries here in the city.  We were just looking but the  The Front Gallery had a one person show of Kari Duke's work, which I have long admired.  So... our tradition is that instead of buying Anniversary gifts for each other we buy a piece of art every couple of years - we bought this one below - cause we both really like her style and these back alleys are pretty iconic I am sure I have walked down a few while living near the University in the 'ol days.

Learning curve

So part of learning to be an artist is copying the Masters to see their process and learn more.  I did a copy of 'The Girl with a Pearl Earring' by Vermeer a few years back in one of my classes.  It was a great way to figure out all the layers and colours and process that Vermeer may have used.

My pale imitation of the original

I am still struggling to find a style that will work for me, but I find I am drawn to impressionist style paintings done in bright colours (landscapes, people or still life). Artists like Mary Cassat, Sorrolla, Monet, Cezanne or Van Gogh.
Present day artists that are favourites include Mike Svob, Karin Jurick, Kari Duke, Steve Coffey, Robert genn and most recently added Angus Wilson.  I have taken workshops with Mike Svob and unfortunately missed my one chance at a workshop with Robert Genn who has since passed away.  I attempted a painting similar to one by Steve Coffey (past post).  Below is my attempt to pull off an Angus Wilson painting.  I found one of the most pleasing parts of the painting are the slightly skewed lines coming in and interrupting the painting.  It seems to make the whole picture.  I feel motivated to try something like that in my own style of landscape or portrait to see how that works.